(Originally blogged: October 16, 2015)
I approached this album with the thought of ‘Confident’ being Demi Lovato’s bid for her first Grammy nomination. The bar was set pretty high. Do I believe this is a Grammy-worthy collection of tracks? No, but I wouldn’t write-off this album entirely. Though few and far in-between, there are a few shining moments.
Expectations for this album were pretty high because she introduced it as her most “confident” and “best” album to date. I’m doubtful it took much confidence to produce an album that is a near-complete rehash of melodies and sounds from her previous albums. Nor are there any new lyrical themes to aid and intrigue to the vulnerability she’s also attempting to express. And if she’s not repeating herself, she borrows Iggy Azalea to give a Demi-version of “Black Widow” with their collaboration “Kingdom Come”.
Demi Lovato hits the triumphant mark she’s (always) aiming for with the standout mid-tempo track “Lionheart”, which has all the optimism and energy you’d expect from her. Few tracks like “Old Ways” and “Waiting for You” seem to benefit from an urban/trap influence under her Disney-rocker vocals. The album ends with “Father”, a well-written song about her late father, which really didn’t deserve that overzealous and overstated gospel production it was given.
‘Confident’ is hardly a departure from her previous albums. Lovatics should still be pleased with the offerings of this album. Although I wouldn’t bet a penny on her getting an album nomination at the Grammys, hopefully there’s a pot of gold or a genie lamp she can wish upon to have “Cool for the Summer” nominated in a pop category.